In colonial times, the focal point of Afro-Caribbean culture was the Place des Negres, later renamed Congo Square. Until it was suppressed around 1835, the public market and venue for communal drum-and-dance convocations provided continuity for African forms of festive merriment. The percussive rhythms and call-and-response chants that drove the revelry entered the vernacular of Mardi Gras and New Orleans music.